Joginder Tuteja looks at Ranbir's films, which have seen the best opening collections.
If you are a Deepika Padukone loyalist, watch xXx: The Return Of Xander Cage for her, advises Raja Sen.
Joginder Tuteja looks at the most successful female-centric movies in the last five years.
The Chhapaak trailer could have been a dark and depressing tale of a girl disfigured by a vicious attack but fortunately, it isn't, feels Moumita Bhattacharjee.
As Sonam, Ranveer gear up for cricket movies we take a look at other hit cricket movies.
Did you like Chennai Express, Goliyon Ki Raasleela: Ram Leela and 3 Idiots?
There is no 'remix version' for any of the songs, as the music deserves to be heard unadulterated.
Ranjish Hi Sahi is a feeble attempt at showcasing a sensitive love story, complains Namrata Thakker.
Shahid Kapoor's BIGGEST OPENERS...
These gorgeous women have given some brilliant performances this year.
Discuss this week's releases with film critic Sukanya Verma.
Jawan springs a real surprise when it boldly and directly points fingers at the ineffective government and appeals to recognise the power of the finger and vote. Six months before the next general Indian election, this is no coincidence, observes Sukanya Verma.
'Be it Khan highlighting the issues with a rigged system, or schooling accountability from the government, or stressing the power of the vote, or that baap/beta line -- this is a kind of swashbuckling that Hindi film audiences haven't seen from their heroes for many years,' notes Mayur Sanap.
Hindi cinema has not just explored various instances of brute force, but often glorified its misogyny.
Sukanya Verma salutes the late actor's spectacular cinematic legacy.
The underlying message is clear: Please do not question Shah Rukh Khan's loyalty to India. He is Indian, loves his motherland. And he will continue to entertain India for as long as he can, applauds Aseem Chhabra.
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Ram Leela is a lavish visual spread and is filled with moments of thrill, ingenuity and splendour.
Looking at Shah Rukh Khan's unusual onscreen professions.
Here's giving these actors a standing ovation!
Sukanya Verma offers a glimpse of Bollywood's foodie folks.
Ranveer v/s Wild with Bear Grylls is enjoyable because Ranveer Singh makes it so, observes Deepa Gahlot.
'Though it's a story of inspiration, Meghna Gulzar's Chhapaak is not the kind of film you walk out feeling entertained or ecstatic about,' says Sukanya Verma.
Cirkus is boring and puerile, notes Sukanya Verma.
Two seconds of Kajol and Shah Rukh Khan in Kuch Kuch Hota Hai pack in more chemistry than two hours and 44 minutes of Ranbir and Shraddha's romance in Tu Jhoothi Main Makkaar, feels Sukanya Verma.
'The last four-five years have been a bit of a ride for me and my family.'
Shah Rukh Khan's weathered intensity, grizzly charisma and trademark wit lends Pathaan's all-out, devil-may-care antics a sense of purpose that evades mindless acts of mayhem, cheers Sukanya Verma.
'Here are 25 stories special to me for one reason too many,' says Sukanya Verma who scored 25 years writing about the movies last week.
While most of us would rather stay indoors reading a book or sip hot cocoa, Bollywood's adventurous inhabitants take off to the wintriest of destinations bundled up in their glamorous woollens beating frost with fashion. Sukanya Verma makes note of their coolest winter looks.
Kochadaiiyaan is a fundamentally flawed dud, one without anything to applaud besides grand (if self-glorifying) ambition, rants Raja Sen.
A lot of qawalli and romance in Bajirao Mastani's soundtrack, says Aelina Kapoor.
Despite the technological hype, it is still extremely tough to connect with the virtual characters, especially Rajinikanth, whose larger-than-life persona cannot be captured by any path-breaking technology
Finding Fanny is a fine blend of soulful musings and nuanced filmmaking, feels Sukanya Verma.
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